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Público·9 miembros
Philip Kuznetsov
Philip Kuznetsov

Mr. Disco

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Giallo X, Deranged Fan, Penombra Oscura, Apocalypse Domani, Relevance & Serendipity, Voodoo Island EP, Outskirts Of Reno EP, Force The Line, and 36 more. , and , . Purchasable with gift card Buy Digital Discography $166.60 USD or more (30% OFF) Send as Gift Share / Embed 1. There Will Be An End 03:01 buy track 2. Midnight Predator 04:42 buy track 3. No Escape 01:59 buy track 4. Valley Of Shadows 02:16 buy track 5. Dust 01:43 buy track 6. Dreams / Nightmares 02:33 buy track 7. Villain 01:37 buy track 8. Safe Passage 01:40 buy track 9. H E A R T T H R O B 02:15 buy track 10. New Beginning 02:17 buy track about Introducing Mr. Eff. Part myth, part man. Dragging by the arm to safety through digital swamps and haunted houses, The Parallel stands as a singular vision of Miltonian proportions. Small vignettes and passing scenes give way to grandiose and beautiful moments, from the wave-sleaze of Midnight Predator to the pre-credits Suicide-tribute of H E A R T T H R O B, The Parallel works as much for drive time as it does for drifting off to a far off land that is both wonderful and strange. Not to be ignored. Art by Eric. A Lee. $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released October 28, 2017 license all rights reserved tags Tags horror disco soundtrack synthwave wave Shopping cart total USD Check out about Giallo Disco Records

Mr. Disco

Now the baton has been passed to Cassidy, a New York dandy in a straw boater who earns more than $100,000 a night as a DJ (according to Forbes). He is about to release an album, Paradise Royale, that can justifiably be described as a magnum opus. Four years in the making, it has been recorded with the help of 22 legendary disco-era musicians. They include: three members of Earth Wind & Fire, three from Kool & the Gang; Jerry Hey, who arranged horns and strings for Michael Jackson; Ray Parker Jr of "Ghostbusters" fame; and Nile Rodgers himself, who told Cassidy that his vision "contained brilliance and foresight". Indeed, using so many musicians does seem almost groundbreaking in an era in which albums can be made on a laptop and mixed on a mobile phone.

Ostensibly a stark contrast, 'Chemical Marriage' bounds in as soon as its predecessor collapses. It's a seemingly cheery and amiable jazzy bossa nova, yet there's a considerable undercurrent of mania to it. Sour harmonies counterpoint friendly chords, sounding both warmly accessible and profoundly unsettling. At the halfway point, clashing discordances hocket back and forth furiously, recalling the profane possession of the church organist in Carnival Of Souls.

'Violenza Domestica' more patchwork than song - a discombobulating array of sudden stabs, horror soundtrack swells and crescendos, clattering metal objects, and gothic European pop, with Patton crooning and whispering threateningly in Italian. It almost seems like a studio collage or an improvisation, until you see Bungle play it note-for-note live. This is perhaps the furthest point yet from the debut's puppy-boisterous, brattish ska-carnival-metal, a compositionally sophisticated, impressionistic piece, taking as much inspiration from Luciano Berio or from Zorn cut-up works such as Spillane and Godard as it does from Morricone's giallo work. The lyrical thrust, as far as one can deduce based on rudimentary Italian and the sonic storytelling, is as upsetting as you might surmise.

'Phlegmatics' bursts in, built from thrash drumming and huge slabs of discord, gearing up for an all-out metal onslaught, but then grinds to a halt. A section of repugnantly drowsy abstraction follows, sickening in its oily horror, as Patton croons, vaulting octaves with contrary slowness: 041b061a72

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